1. SBG
2. Leprosy
3. Human
4. Spiritual Healing
5. ITP
6. Symbolic
7. TSOP

Jotenkin noin minä ne rankkaisin.

Lainaus:04.04.2008 Raat0 kirjoitti:

Lainaus:04.04.2008 fallen256 kirjoitti:
mitä järkeä tulla mainostamaan ns. Lissubändiä DEATHIN topikkiin hä?

En tajua, kuten en tajua sitäkään, että mitä ihmeen tekemistä tuolla Metallica-kommentilla oli yhtään minkään kanssa.

ANTEEX

En ole ikinä ymmärtänyt Death Metalia, enkä tule ymmärtämään. Lyriikat ovat aivan perseestä ja koko melodiakin. Turhaa teiniangstia. Hyh. Käsitän, että tätä kuuntelevat syrjäytyneet teinit, jotka haluaa osoittaa eroavaisuutta main streamista.

Ensinnäkin tämä ketju käsittelee bändiä nimeltä Death. Toisekseen sekoitat angstisanoitukset emoon. Kolmanneksi luehan kunnolla noita lyriikoita. Tässä esimerkki Nilen Unas Slayer of the Gods -kappaleesta. Sanoitukset ovat syvälliset ja pohjautuvat historialliseen tietämykseen asiasta. Perässä siis sanoittajan itsensä kirjoittama selitys kappaleen sanoituksille.

Poureth Down Water From the Heavens
Tremble the Stars
Quake the Bones of Aker
Those Beneath Take Flight When They See
Unas Rising

The Akh of Unas Is Behind Him
The Conquerer Are Beneath His Feet
His Gods Are In Him
His Uraei Are on His Brow
The Words of Unas Protect Him
Unas This Bull of The Heavens
ThatTrusteth With His Will

Living On Utterances of Fire From
The Lake Of Flame
Unas That Devoureth Men and Liveth on The Gods

Behold Amkebu Hath Snared Them for Unas
Behold Tecber Tep F Hath Known Them and
Driven Them Unto Unas
Behold Her Tbertu Hath Bound Them
Behold Khensu The Slaughterer of Lords
Hath Cut Their Throats for Unas
Behold Shesemu Hath Cut Them Up For Unas

Unas Hath Ingested Their Spirits
Hath Feasted On Their Immortality
He Hath Consumed their Shadows
Unas The Slayer of the Gods

Unas The Sekhem Great
The Sekhem of the Sekhemn
Unas The Ashem Great
The Ashem of the Ashemn
Behold Orion
Unas Riseth

Unas Hath Taken Possession
of the Hearts of the Gods
Unas Feedeth on their Entrails
He Hath gorged on their Unuttered Sacred Words
He Hath Assimilated the Wisdom of the Gods
His Existence is Everlasting

Behold The Souls of the Gods are in Unas
Their Spirits are In Unas
The Flame of Unas in Their Bones
Their Shadows are With their Forms
Unas is Rising
Hidden Hidden

[Unas was the ninth and last Pharaoh of the 5th Dynasty. He is said to have lived from 2375 to 2345 B.C., but some Egyptologists date him as far back as 5330 B.C. The internal structure of his pyramid is known for incorporating several innovative features, but is most recognized for the inclusion of vertical lines of hieroglyphs on the walls of the vestibule and burial chamber. When Maspero opened the Unas pyramid in 1881, he found texts covering these stone walls to be extremely difficult to decipher, because of their archais characters, forms, and spellings. These were magickal/religious texts, designed to ensure the safe passage of the Pharaoh into the next world. They are known today as the "Pyramid Texts." According to these texts, Unas became great by eating the flesh of his mortal enemies and then slaying and devouring the gods themselves. Those gods that were old and worn out (Egyptian gods aged and died) were used as fuel for Unas's fire. After devouring the gods and absorbing their spirits and powers, Unas journeys through the day and night sky to become the star Sabu, or Orion. While this is certainly not the first reference to cannibalism in Old Kingdom texts, what is notable is the method by which the Pharaoh Unas achieves deification and immortality; by turning on the gods, slaying and then devouring them, and thus ascending to the heavens to become the star Orion. The concept was remarkable to Maspero, who found the idea to be of "absolute savagery." Maspero seemed to be reeling from a confrontation with a symbolic revival of pre-dynastic cannibalistic rites - which are suggested, according to Maspero, by the gnamed and disconnected bones found in certain early graves. Professor Petrie suggests that at the original Sed festival, the tribal king appears to have been sacrificed and devoured, so that his people might derive from his flesh and blood the power and virtues which made him great. This practise was based on a belief in contagious magick. Bulls and boars were eaten to give men strength and courage, deer to give fleetness of foot, and serpents to give cunning. The blood of slain and wounded warriors was drunk so that their skill and bravery might be imparted t the drinkers. Similarly, Unas feasts after death on the spirits of the gods, and on the bodies of men and gods. He swallows their spirits, souls, and names, which are contained in their hearts, livers, and entrails, thus, Unas becomes allpowerful. In attempting to bring this epic-length text to song from, it was necessary to make some minor concessions, firstly, that every version I have at home of the text is translated somewhat differently, and thus there is not any singularly definitive versions; and secondly, that it would just not be possible to include every last line from the original text. That would probably necessitate a song inconceivable in length. As it is, in concise song lyric form, "Unas Slayer of the Gods" weighs in at about 12 minutes plus - and that is using what would be considered only the bare minimum essential lines for the development and presentation of the main aspects of the text. For those interested in reading the entire work, there are several versions readily available online or by ordering from a local bookstore. I typed in "Unas Slayer of the Gods" in a couple of search engines and was astounded at the number of results that came back.]

Lainaus:05.04.2008 Urokhtor kirjoitti:
Ensinnäkin tämä ketju käsittelee bändiä nimeltä Death. Toisekseen sekoitat angstisanoitukset emoon. Kolmanneksi luehan kunnolla noita lyriikoita. Tässä esimerkki Nilen Unas Slayer of the Gods -kappaleesta. Sanoitukset ovat syvälliset ja pohjautuvat historialliseen tietämykseen asiasta. Perässä siis sanoittajan itsensä kirjoittama selitys kappaleen sanoituksille.

Poureth Down Water From the Heavens
Tremble the Stars
Quake the Bones of Aker
Those Beneath Take Flight When They See
Unas Rising

The Akh of Unas Is Behind Him
The Conquerer Are Beneath His Feet
His Gods Are In Him
His Uraei Are on His Brow
The Words of Unas Protect Him
Unas This Bull of The Heavens
ThatTrusteth With His Will

Living On Utterances of Fire From
The Lake Of Flame
Unas That Devoureth Men and Liveth on The Gods

Behold Amkebu Hath Snared Them for Unas
Behold Tecber Tep F Hath Known Them and
Driven Them Unto Unas
Behold Her Tbertu Hath Bound Them
Behold Khensu The Slaughterer of Lords
Hath Cut Their Throats for Unas
Behold Shesemu Hath Cut Them Up For Unas

Unas Hath Ingested Their Spirits
Hath Feasted On Their Immortality
He Hath Consumed their Shadows
Unas The Slayer of the Gods

Unas The Sekhem Great
The Sekhem of the Sekhemn
Unas The Ashem Great
The Ashem of the Ashemn
Behold Orion
Unas Riseth

Unas Hath Taken Possession
of the Hearts of the Gods
Unas Feedeth on their Entrails
He Hath gorged on their Unuttered Sacred Words
He Hath Assimilated the Wisdom of the Gods
His Existence is Everlasting

Behold The Souls of the Gods are in Unas
Their Spirits are In Unas
The Flame of Unas in Their Bones
Their Shadows are With their Forms
Unas is Rising
Hidden Hidden

[Unas was the ninth and last Pharaoh of the 5th Dynasty. He is said to have lived from 2375 to 2345 B.C., but some Egyptologists date him as far back as 5330 B.C. The internal structure of his pyramid is known for incorporating several innovative features, but is most recognized for the inclusion of vertical lines of hieroglyphs on the walls of the vestibule and burial chamber. When Maspero opened the Unas pyramid in 1881, he found texts covering these stone walls to be extremely difficult to decipher, because of their archais characters, forms, and spellings. These were magickal/religious texts, designed to ensure the safe passage of the Pharaoh into the next world. They are known today as the "Pyramid Texts." According to these texts, Unas became great by eating the flesh of his mortal enemies and then slaying and devouring the gods themselves. Those gods that were old and worn out (Egyptian gods aged and died) were used as fuel for Unas's fire. After devouring the gods and absorbing their spirits and powers, Unas journeys through the day and night sky to become the star Sabu, or Orion. While this is certainly not the first reference to cannibalism in Old Kingdom texts, what is notable is the method by which the Pharaoh Unas achieves deification and immortality; by turning on the gods, slaying and then devouring them, and thus ascending to the heavens to become the star Orion. The concept was remarkable to Maspero, who found the idea to be of "absolute savagery." Maspero seemed to be reeling from a confrontation with a symbolic revival of pre-dynastic cannibalistic rites - which are suggested, according to Maspero, by the gnamed and disconnected bones found in certain early graves. Professor Petrie suggests that at the original Sed festival, the tribal king appears to have been sacrificed and devoured, so that his people might derive from his flesh and blood the power and virtues which made him great. This practise was based on a belief in contagious magick. Bulls and boars were eaten to give men strength and courage, deer to give fleetness of foot, and serpents to give cunning. The blood of slain and wounded warriors was drunk so that their skill and bravery might be imparted t the drinkers. Similarly, Unas feasts after death on the spirits of the gods, and on the bodies of men and gods. He swallows their spirits, souls, and names, which are contained in their hearts, livers, and entrails, thus, Unas becomes allpowerful. In attempting to bring this epic-length text to song from, it was necessary to make some minor concessions, firstly, that every version I have at home of the text is translated somewhat differently, and thus there is not any singularly definitive versions; and secondly, that it would just not be possible to include every last line from the original text. That would probably necessitate a song inconceivable in length. As it is, in concise song lyric form, "Unas Slayer of the Gods" weighs in at about 12 minutes plus - and that is using what would be considered only the bare minimum essential lines for the development and presentation of the main aspects of the text. For those interested in reading the entire work, there are several versions readily available online or by ordering from a local bookstore. I typed in "Unas Slayer of the Gods" in a couple of search engines and was astounded at the number of results that came back.]

Kauheeta sontaa. Yök. Mun mielestä emo musa on parempaa kuin tällainen. Ihan älytöntä roskaa.

failasit stiff :[

Lainaus:05.04.2008 StifmeisterJr kirjoitti:
En ole ikinä ymmärtänyt Death Metalia, enkä tule ymmärtämään.

Se on selvää.

Lainaus:05.04.2008 StifmeisterJr kirjoitti:
Turhaa teiniangstia.

Deathin death metal -kama on teiniangstia vähän samassa mielessä kuin kauhu- ja splatter-leffatkin. Eli ei missään mielessä.

Lainaus:05.04.2008 StifmeisterJr kirjoitti:

Lainaus:05.04.2008 Urokhtor kirjoitti:
Ensinnäkin tämä ketju käsittelee bändiä nimeltä Death. Toisekseen sekoitat angstisanoitukset emoon. Kolmanneksi luehan kunnolla noita lyriikoita. Tässä esimerkki Nilen Unas Slayer of the Gods -kappaleesta. Sanoitukset ovat syvälliset ja pohjautuvat historialliseen tietämykseen asiasta. Perässä siis sanoittajan itsensä kirjoittama selitys kappaleen sanoituksille.

Poureth Down Water From the Heavens
Tremble the Stars
Quake the Bones of Aker
Those Beneath Take Flight When They See
Unas Rising

The Akh of Unas Is Behind Him
The Conquerer Are Beneath His Feet
His Gods Are In Him
His Uraei Are on His Brow
The Words of Unas Protect Him
Unas This Bull of The Heavens
ThatTrusteth With His Will

Living On Utterances of Fire From
The Lake Of Flame
Unas That Devoureth Men and Liveth on The Gods

Behold Amkebu Hath Snared Them for Unas
Behold Tecber Tep F Hath Known Them and
Driven Them Unto Unas
Behold Her Tbertu Hath Bound Them
Behold Khensu The Slaughterer of Lords
Hath Cut Their Throats for Unas
Behold Shesemu Hath Cut Them Up For Unas

Unas Hath Ingested Their Spirits
Hath Feasted On Their Immortality
He Hath Consumed their Shadows
Unas The Slayer of the Gods

Unas The Sekhem Great
The Sekhem of the Sekhemn
Unas The Ashem Great
The Ashem of the Ashemn
Behold Orion
Unas Riseth

Unas Hath Taken Possession
of the Hearts of the Gods
Unas Feedeth on their Entrails
He Hath gorged on their Unuttered Sacred Words
He Hath Assimilated the Wisdom of the Gods
His Existence is Everlasting

Behold The Souls of the Gods are in Unas
Their Spirits are In Unas
The Flame of Unas in Their Bones
Their Shadows are With their Forms
Unas is Rising
Hidden Hidden

[Unas was the ninth and last Pharaoh of the 5th Dynasty. He is said to have lived from 2375 to 2345 B.C., but some Egyptologists date him as far back as 5330 B.C. The internal structure of his pyramid is known for incorporating several innovative features, but is most recognized for the inclusion of vertical lines of hieroglyphs on the walls of the vestibule and burial chamber. When Maspero opened the Unas pyramid in 1881, he found texts covering these stone walls to be extremely difficult to decipher, because of their archais characters, forms, and spellings. These were magickal/religious texts, designed to ensure the safe passage of the Pharaoh into the next world. They are known today as the "Pyramid Texts." According to these texts, Unas became great by eating the flesh of his mortal enemies and then slaying and devouring the gods themselves. Those gods that were old and worn out (Egyptian gods aged and died) were used as fuel for Unas's fire. After devouring the gods and absorbing their spirits and powers, Unas journeys through the day and night sky to become the star Sabu, or Orion. While this is certainly not the first reference to cannibalism in Old Kingdom texts, what is notable is the method by which the Pharaoh Unas achieves deification and immortality; by turning on the gods, slaying and then devouring them, and thus ascending to the heavens to become the star Orion. The concept was remarkable to Maspero, who found the idea to be of "absolute savagery." Maspero seemed to be reeling from a confrontation with a symbolic revival of pre-dynastic cannibalistic rites - which are suggested, according to Maspero, by the gnamed and disconnected bones found in certain early graves. Professor Petrie suggests that at the original Sed festival, the tribal king appears to have been sacrificed and devoured, so that his people might derive from his flesh and blood the power and virtues which made him great. This practise was based on a belief in contagious magick. Bulls and boars were eaten to give men strength and courage, deer to give fleetness of foot, and serpents to give cunning. The blood of slain and wounded warriors was drunk so that their skill and bravery might be imparted t the drinkers. Similarly, Unas feasts after death on the spirits of the gods, and on the bodies of men and gods. He swallows their spirits, souls, and names, which are contained in their hearts, livers, and entrails, thus, Unas becomes allpowerful. In attempting to bring this epic-length text to song from, it was necessary to make some minor concessions, firstly, that every version I have at home of the text is translated somewhat differently, and thus there is not any singularly definitive versions; and secondly, that it would just not be possible to include every last line from the original text. That would probably necessitate a song inconceivable in length. As it is, in concise song lyric form, "Unas Slayer of the Gods" weighs in at about 12 minutes plus - and that is using what would be considered only the bare minimum essential lines for the development and presentation of the main aspects of the text. For those interested in reading the entire work, there are several versions readily available online or by ordering from a local bookstore. I typed in "Unas Slayer of the Gods" in a couple of search engines and was astounded at the number of results that came back.]

Kauheeta sontaa. Yök. Mun mielestä emo musa on parempaa kuin tällainen. Ihan älytöntä roskaa.

Pilkut hallussa

Sain just kuunneltua Invidual Thought Patternsin, jonka pyysin serkulta lainaan. Eka levy Deathiä, jonka olen kuullut. Pitää sanoa, että ihan vitun hyvä levy. Kitarasoolot ovat täyttä parhautta. Ovat yhtä hyviä kuin King Diamondin ja Mercyful Faten soolot. Levy olisi kyllä voinut olla hieman pitempi. Loppui liian aikaisin

Lainaus:25.04.2008 Angel_Of_Light kirjoitti:
Kitarasoolot ovat täyttä parhautta. Ovat yhtä hyviä kuin King Diamondin ja Mercyful Faten soolot.

Olisikohan Andy LaRocquella jotain tekemistä asian kanssa? Muutenkin kyseisellä levyllä taitaa olla suunnilleen kovin kokoonpano ikinä.

Kuuntelin Symbolicin ja oli ihan *******en hyvä levy! Hieman melodisempaa, kuin Individual, mutta itse pidän melodisista kappaleista. Seuraavana, jos kuuntelisi tuon Deathin uusimman ja viimeisen The Sound Of Perseverancen. Sen jälkeen pitää kokeilla vanhaa Deathiä. Jos sekin vaikka iskisi.

Hyvää syntymäpäivää Chuck!

All hail Chuck!

Hailheil vaa munki puolesta Chuckille.

Np. Death - Lack of Comprehension

Hail vaan, vuosia täyteen.

Ryyppään ja kuuntelen Deathiä tämän päivän kunniaksi. Mitäs porukka puuhailee? Ja Death paita tietty päällä

/,,/

Hail Chuck.
Laitanpa Symbolicin ja Humanin soimaan.

Hail Chuck, teit mahtavaa musiikkia.

Onnea Chuck.

Onnea Chuck minunkin puolestani.

Ostin eilen Deathin Screm Bloody Goren ja Spiritual Healingin. Kuuntelin tänään Screamin ja pidin siitä vähemmän kuin muista jotka olen kuunnellut (Leprosy, Induvidual Thought Patterns, Symbolic). Ihan hyvä levy se kuitenkin oli, mutta kappaleet olivat lyhyen puoleisia ja aika samanlaisia. Kitarasooloja oli kappaleissa vain yksi ja sekin aina kappaleen lopussa.
Paras kappale levyllä oli Zombie Ritual. Sanotukset oli mukavan brutaalit.
Hail Chuck! Kunpa jätkä olisi vielä elossa ja vois päästä bändin keikalle.

Kelatkaa jos se jätkä olis elos viel ni mitähän se olis vielä saanu aikaan ; )

p.s hail Chuck

Lainaus:19.05.2008 Vankka kirjoitti:
Kelatkaa jos se jätkä olis elos viel ni mitähän se olis vielä saanu aikaan ; )

p.s hail Chuck

Menen takuuseen että Chuckin läsnäolo olisi estänyt huonon nykymusiikkin (metalcore, rap, emo) syntymisen.

Chuck ei ole pelkästään luova ja lahjakas, vaan myös karismaattinen.